First in: Inside the Dower House at Beaverbook hotel, boldly transformed by Nicola Harding

The renovation and decoration of a Dower house on the Beaverbrook estate has created an inviting new place to stay, with vibrant interiors by Nicola Harding

The main bedroom on the ground-floor features layers of pattern on the walls and fabrics, many of which are bespoke creations by local maker Rozz Connor and printed in England. Summerill & Bishop's table-linen fabrics have been used in an unexpected way as drapery for the four-poster bed.

Paul Massey

The interior designer Nicola Harding has embraced the Arts & Crafts legacy of the building while bringing vivid colours, deeply comfortable furniture, and her own injection of cool modern design to the Dower House. There are pretty patterned wallpapers in the bedrooms, four poster beds hung with broad-striped curtains and bold chequerboard tiles in the bathrooms.

The calm of its position, with only birdsong for company, makes The Dower House a most unusual place to stay, with a pool where you can swim at sunrise or midnight without troubling anyone else. A place where you can come and go in complete seclusion, with the services of a luxury hotel on hand, is indeed something very special.

The private pool and gardens to the side of the house are sheltered by country fields and trees from the elements | Photo: Andrew Urwin

‘We worked with local makers wherever possible and there were some key collaborations,’ says designer Nicola Harding. Case in point is this upstairs bedroom, including a rug designed with Vanderhurd and Rosi-de-Ruig hand-made paper lampshade with a hand-lacquered lamp base. The wallpaper is Susie Atkinson's ‘Wild Daisy’ design.

The dining room on the ground floor features stripy tableware from Summerill & Bishop in contrasting pops of colour. To create the illusion of space, Nicola has cleverly chosen to paint the ceiling in a bold colour. The bespoke wallpaper was designed with local pattern maker Rozz Connor and printed in England.

The sitting room on the ground floor features a large rug from Vanderhurd, and a tiled border on the walls in green to elevate the otherwise low ceilings of the Victorian building. A door to the back leads to a pantry and bar area, and further beyond to the gardens.

Paul Massey